These two albums, recorded less than two weeks prior: https://www.youtube.com/watch?v=gZ_rZZusz90 https://www.youtube.com/watch?v=RbTEgBEaEM4. Showing all 2 results. Youll have to adjust your ears, but theyll fall into line quickly. [5] He left that organization to work in Los Angeles. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. LaFaro is best known as the bassist in Bill Evans' groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra. Find him on the web at colinfleminglit.com (where he maintains the unique online journal, the Many Moments Moreblog) and on Twitter @colinfleminglit. Bassist Marc Johnson, who was with Evans between 1978 and his death in 1980, wrote in the liner notes forPieces of Jadethat the Vanguard performance was the highest measure of Scotts musical vision. InJade Visions, he says, I must have listened to those recordingsthousands of timesTo this day, I still dont see how Scott articulated his ideas with such startling clarity and velocity., Johnson also speaks for the continuing hold that the recordings have on listeners touched by their emotional richness. Haynes shared with Scotty a fastidiousness about clothing, and hed just been named toEsquiresBest-Dressed list. LaFaro originally played clarinet and tenor before settling on bass while in college. At age 12 he was recommended for the Ithaca Conservatory of Music, where he was classically trained in violin. Composer: Hammerstein II / Kern This website is using a security service to protect itself from online attacks. This year The Smith is excited to have National Endowment of the Arts Jazz Masters Kenny Barron (piano) and Dave Holland (bass) together on stage on Saturday, April 6. But you always knew that Read More Kelly Sill, Several years ago, one of Danilo Prezs students was suffering from tendinitis. The highlight of the session was Scotts original, Misery (to Lady Day). Evans biographer Peter Pettinger said of the dedication to Billie Holiday, Not much happens, but a wavelength is established. What a natural setting for a multi-ecosystem guy like LaFaro, the dream bassist for a project of this nature, which is jazz, classical, painterly, open yet demonstrative. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader,[6] and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. Member Of . Read about our approach to external linking. Cool Modal Music Post-Bop. I was 19 and working. Before that grim July night, LaFaro had been a busy bassist. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. Cloudflare Ray ID: 7a154b16ff047cd4 I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and Paul would come over to the Five Spot, too. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. Village Vanguard, 25 June 1961. He was a tremendous talent [who] wanted to go on to greener pastures.Over the next two years, Scotty toured the country with Chet Baker, and worked around L.A. with Hampton Hawes, Harold Land, Buddy DeFranco, Richie Kamuca, Joe Gordon, and Stan Kenton. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. In his liner notes, producer Orrin Keepnews focused on the phenomenon of Bill Evans thepianist, but the lone paragraph devoted to the other members of the trio noted that they werent limited toconventional rhythmic backing, and cited Autumn Leaves, as a harbinger of things to come. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. An investigation is underway after two people were killed in a crash involving a big rig along the . When Scotty was killed at age 25 (I was 24), I was devastated I couldn't play for months. 2023 Madavor Media, LLC. His most recent books are an entry in the 33 1/3series on Sam CookesLive at the Harlem Square Club, 1963, a volume about the 1951 film Scrooge as the ultimate work of cinematic terror, and the story collection, If You [ ]: Fabula, Fantasy, F**kery, Hope. Mr. Berg, whose career encompassed free jazz, soul jazz, jazz rock, and straight-ahead playing, was driving east on Route 27 with his wife when Scottys death was hard on my Mom. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". HOMETOWN Newark, NJ, United States of America BORN April 3, 1936 Similar Artists Paul Motian. The group attended the funeral in Geneva, which Kuhn adds was closed casket., LaFaro's death was devastating to Bill Evans. Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. Chuck and Gap Mangione were among the locals hanging out that night, andJade Visionsincludes Gaps recollection of listening to Chet Bakers recording of Grey December with Scotty. Bill Evans Trio. My mom was still pregnant with my last sister. My day consists of such a singular preoccupationthe physicology of music. Stan Levey. Tonight Show, 14 Feb 1957. Q: What kind of influence did your father have on your brothers music? Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. Does anyone have pictures of this bass, or have you seen it in person? Chicago, 1956. On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. There was great rapport. LaFaro's freewheeling, harmonically advanced bass style with the Bill Evans Trio (1959-1961) opened a door to a wholly new approach to the instrument that influenced a generation of players who followed in his wakeEddie Gomez, Dave Holland, and Marc Johnson, to name just a few. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. What kind of influence did your father have on your brothers music? There is a grave mistake a prospective listener can make with LaFaro, and when I say what that is, I may come off as somewhat risible, but one must do what is right: loving the Village Vanguard recordings so much that you sleep on the rest of what he achieved as a certain kind of jazz genius. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". Composer: Hawes Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. He waited until we got interested, and then he was totally supportive. LaFaro began by practicing his fingers off. It will be observed on his birthday anniversary, April 3. Read More Joe Williams: Beyond the Blues, As a JazzTimes writer, I can talk about the powers of a dynamic drummer until Im blue in the face: the weight of each tom-toms Read More Chops: What Bassists Listen for in Drummers, America's jazz resource, delivered to your inbox. Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. [My] early years at the university were thoroughly engaging intellectually but were also a time of deep introspection. He would practice for hours: he had all these Sonny Rollins solos he had written out in bass clef! What were Scotts childhood and teen years like here in Geneva? Bud Powell. Tracks. Places to dine, drink, stay near the Smith Opera House, A word of caution about buying tickets on the secondary ticket market. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. He was excited. Little must have loved LaFaros contributions, because he himself was one of those players between spheres: neither a bopper nor a hard-bopper nor an out-and-out New Thing guy. He remembered that Scotty was dressed up for the Newport appearance. Scott LaFaro - Death. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. He played sessions at the Lighthouse in Hermosa Beach, and roomed with fellow bassist Charlie Haden, who recalled the first time LaFaro mentioned Bill Evans. You may additional context in comments. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. The album included five tracks recorded in New York City during 1961 with pianist Don Friedman and drummer Pete LaRoca.[13]. Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. Beginning in 1955, he was a member of the Buddy Morrow big band. LaFaro-Fernandez: Scotty and I were born in New Jersey but we moved back to Geneva in 1942. Composer: Styne / Sondheim On date night, people would end up at The Smith. He played in a trio or quartet at Belhurst from the time he got back until he died. Yes, the Evans dynamic provided him with a perfect setting. Composer: Urso Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. This Third Stream affair has jazz as a major tributary vein, and it has LaFaro to thank for it. He told Helene that Scott lived for the bassHe was looking all the time to play. A copy of the latest annual report may be obtained from the Smith Center or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271. Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. Musician. When Scotty was in sixth grade we took our first piano lessons. In spring 1960, he featured on a half-dozen tracks that trumpeter Booker Little cut for his second session as leader. Create an account to follow your favorite communities and start taking part in conversations. (, This page was last edited on 15 February 2023, at 23:36. This page was last edited on 24 February 2023, at 08:03. This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. The last day was recorded for two albums, Sunday at the Village Vanguard and Waltz for Debby.[8]. In sum, LaFaro visited Geneva, his home town, spent some time with some local friends, drove one of them to visit a mutual friend, left to return to Geneva, fell asleep at the wheel, hit a tree near Flint, NY, seven miles east of Geneva, and burned to death. Grit is not a LaFaro staple, but that does not mean texture isnt. Not long after he arrived on campus, he gave his clarinet away to a classmate. While driving home late one night his car went off the road and struck a tree. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. 1950s - 1960s. 52.119.1.55 Death. A professor encouraged him to audition for an open spot in the Buddy Morrow Orchestra. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. One of the most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. Stan was playing a melody, and Scott began doubling it. Q: When did your brother start getting interested in music? Genre. Everything. He would have played twenty-four hours a day if he couldHe was learning a mile a minute., Morrows outfit had a big hit with Night Train. The bandleader told Helene, We were a band which was dedicated at the time to mainly rhythm and blues. We spoke with LaFaro-Fernandez by phone to give us a glimpse on her brothers formative years in Geneva. Scott LaFaro was born 64 years ago . The loss of LaFaro hit Evans hard, and he went into a brief seclusion. AMAGANSETT, N.Y. - Acclaimed tenor saxophonist Robert Berg was killed Thursday when a cement truck skidded across a snow-slicked road and rammed into his sport utility vehicle, East Hampton police said. 1926). Fraternal guidance, in that this endeavor allowed fellow band members to do what they best did. Once he got the gig, his college days were over. At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. April 3, 1936 in Newark, NJ. Dave Green joins Alyn Shipton to pick the essential recordings of fellow bassist Scott LaFaro's brief but brilliant career, including work with Bill Evans. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. He was visiting some friends west of Geneva and was driving home late when he crashed. It is LaFaros bass that makes this thing go, such as it does go. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. LaFaro took the opportunity, and he was the trios helmsman. His records with Bill Evans are among the finest jazz trio discs ever made. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. Motian operated the same way; if anything, he was even more of a painter than the leader. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. Los Angeles Fire Department crews were called to the scene to extinguish the blaze. Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. LaFaro left Morrow and settled in Los Angeles in 1957. LaFaro was killed in a car accident ten days after the recording. A post-bass bass player, maybe. A Dead Musician Directory Celebrity Page. And there truly couldn't be a better way to . Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org 4 or The Paradox of Continuity, The Montreal Tapes: with Geri Allen and Paul Motian, https://en.wikipedia.org/w/index.php?title=Waltz_for_Debby_(1962_album)&oldid=1139601889, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from January 2021, Articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License 3.0, Note on the alternate takes: "For this CD release, alternate versions of three of the six selections have been inserted just after the ones originally chosen for issuance.[] The top of the instrument is a three-piece plate of slab-cut fir; the back is a two-piece plate of moderately flamed maple with an ebony inlay at the center joint; the sides are made of matching maple. That is what so many families Sunday ritual were like. Already a member? The Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music. In the latter case, Getz fired LaRoca and hired Roy Haynes, but Kenton wasn't about to be second-guessed. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. For Evans, Misery offered a glimpse of a relationship to come., Two months later, on December 28, 1959, the Bill Evans Trio made its premiere recording for Riverside,Portrait in Jazz. Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. On date night, people would end up at The Smith. 2023 Smith Center for the Arts, All rights reserved. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. jazz bass Another link(Born: April 3, 1936 in Newark, NJ, Died: July 6, 1961 in Geneva, NY)During his tragically short life, Scott LaFaro quickly developed into one of the most advanced bassists around, competing with Charlie Haden and Charles Mingus. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. Paul Motian was on drums, Nobby Totah on bass. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. Composer: Gillespie The trio attracted attention for its style. I adored him, and I was thrilled to be able to work with him. There is also a street off of Seneca Street, just across from the Smith Opera House, that has been renamed Scott LaFaro Way. The National Endowment for the Arts (NEA) has We calculated our top 40 new releases of 2022 We calculated our top 10 historical/reissue You never quite knew what Chicago bassist Kelly Sill was going to play (or what he was going to say). Dad (Joe LaFaro) never forced us to play music. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. It was there his career exploded. Nov 13, 2008 #2 Mark Carlsen Oct 4, 2004 She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. In a December 29, 1960 letter addressed to his lover Gloria Gabriel, the dancer to whom he dedicated Glorias Step, he wrote, One important thing is that I realize day by day the true artist and musician is becoming more and more meaningless in terms of public comprehension. Postings here are the last known photographs or videos of a person. In Meet Me at Jim & Andy's: Jazz Musicians and Their World, Gene Lees wrote, "The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about itHe felt that because of his heroin habit he had made insufficient use of [their] time togetherAfter LaFaro's death, Bill was like a mane with a lost love, always looking to find its replacement. The helmsman remains present to take us many places where we otherwise might not have gone, and no one has steered that ship better than Scott LaFaro. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. I return to the idea of the helmsman, because LaFaro always plays as if hes en route to some vital destination, and hes helping to take other musicians there, and, of course, those of us who are listening in. , JazzTimes is a favorite of musicians and fans alike forced us to play music haynes but! 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